At the closing session emesa per internet on October 31, 2020 at 7:15 p.m. the following winners will be public:

WATCH THE CLOSING VIDEO

Award for the best feature film

Cholitas, by Jaime Murciego and Pablo Iraburu

The jury of the TERRA GOLLUT film festival 2020 unanimously awards the Best Feature Film Award to Cholitas by Pablo Iraburu and Jaime Murciego for capturing the profound humanity of the protagonists and fer-nos particeps of their power both will have a cinematographic look, proper and dynamic.

Special mention jurat llargmetratges

Des-Extinction, d’Alfonso Par

The Feature Film Jury of the TERRA GOLLUT film festival 2020 awards a Special Mention to "Des-Extinción" by Alfonso Par, for having built a road-movie with an ecological scientific proposal, more than of dissemination, with a simple language, visually captivating and conceptually encouraging.

Award for the best short film

Reflejo, by Juan Carlos Mostaza

Haven't analyzed the technical production, the missatge that it transmitted, and the relevance of the problem that affects, above all, adolescents and young adults, the jury of short films has decided to award the Best Short Film Award to Reflection< /em>. This short film shows, clearly and perfectly dramatized in an animation, the family drama, personal suffering, reconciliation and forgiveness. A worthy example of how society has learned to be tolerant in the face of differences.

Concord Award

Carne, by Camila Kater

The jury awards the Premi de la concòrdia to the short film Flesh with the maximum artistic expression that shows, felt to be obscene, the crudeness of the feminine image as "donna-object", especially in the sexual , convertin-la en un bé d'un ús ús. A short film that seeks the vindication of the woman with equals in rights and opportunities in society. An impeccable production, i de fort social contingut.

Youth Award

Ama, by Julia de la Paz

The youth jury has chosen this short film with the greatest because we know that there are many seas that kick this situation, and it is a closer reality. I am going to point out that it is important to have stability in order to have a fill. The missatge has also pleased her, who has volgut convey happiness to her daughter so that her mother experienced a bad situation.

SPECIAL MENTION YOUTH JURY

Chernobyl 1986, by Toni Comas

The youth jury decided to give a special mention to this short film because the plans were very good and also because they are fet riure. On the other hand, the message that has been broadcast in us has been thinking about the Covid19 pandemic, since we have the channel in our hands, we have taken the initiative and will not let ourselves be fooled by the messages that try to transmit the communication messages

Award for the best photojournalism report

Pandèmic, by Marc Sanyé

The photography jury has decided to award the Prize to the best photography report to Pandèmic, by Marc Sanyé for the validity of an issue that affects the entire society with empathy and depth and depth Some good criteria for the selection of areas and geographical dispersion: Campdevànol regional hospital, Vic residence and images of the saturation of the space for the dead in Collserola.

Special Mention from the Photography Jury

Nombrar la herida by Paula Roque

The photography jury has decided to give a special mention to Paula Roque's work on sexual assaults to gifts for the narrative strategy that she has built and the visual rhetorical resources that she has developed to address a social scourge that she does not face enough visibility.

Public Award

Sense Sostre, by Pep Garrido and Xesc Cabot

The popular vote through the enllaç votpublic.terragollut.com has granted this save.

Prize for photographic trajectory to Pepe Baeza, press editor specialized in photography.

Pepe Baeza (Valencia, 1955) has been a Photographer at El Periódico de Catalunya and El Noticiero Universal (1978-1990), Graphic Editor at El Periódico de Catalunya and Editor in photography and editing graphic to La Vanguardia (1990-2015). He has a degree in Journalism and a PhD in Information Sciences from the UAB. Professor of Photography, Photojournalism and Photographic Genres at the Faculty of Communication Sciences of the Autonomous University of Barcelona, UAB, (1989-2010) and of Photographic Reporting at the Faculty of Communication of the Pompeu Fabra University (2011-2013). He is the author of the book "For a critical function of press photography". Gustavo Gili, Barcelona 2001 and 2003 (2nd edition). Currently, he is the coordinator of the "Images" section of Le Monde Diplomatique in Spanish.

Award for audiovisual trajectory to Teresa Font, film editor

Teresa Font Guiteras, goes to Gallifa, Vallès Occidental. She is a Catalan rider with one of the most recognized trajectories of l'Estat. He has treballat more than 80 films with Pain and Glory, Numbered Days, Juana La Loca, Libertarias, Hot Moon, El Lute walks or bursts, Lovers, Fanny Pelopaja, Jealousy, The Day of the Beast, Ham, Ham, Numbered Days, The stunned king, Bwana,  Murder in the central committee, Dead of laughter or the television series The Riders of Dawn.

She has worked with many directors such as Vicente Aranda, Pedro Almodóvar, Imanol Uribe, Joaquim Jordà, Álex de la Iglesia, among others.

She Saved with the Goya Award for the best muntatge a couple of vegades, for Numbered Days and recently for Pain and Glory.

From her point of view, the filmmakers must have a special sensitivity to capture the meaning of what is explaining and trying the most appropriate plans for each moment of the cinematographic narrative. In this sense, she believed that she should eliminate all the material that was not still fundamental, leaving it necessary because the scenes that follow are easily understandable to the viewer.

From the mateixa form and in the woods, the female of the mountain demanded to perch in the place of the public to finish providing the exact amount that needs to be seen. Her feina seva com a muntadora de su li va fer, I will understand the importance that she has in the cinematographic montage, both to help in the montage itself of the images and to manipulate the tempos and the rhythm.